More of the same impossible-to-follow hack-n'- slash plotting from the previous movie, offset by Andrew Garfield continuing to be awesome and Jamie Foxx going way over the top as the big bad. Could have been a bizarre ironic summer classic if it were structured like a real movie and had any character development whatsoever. Instead it's just a shot of visual adrenaline that I'll probably want to revisit at some point -- but not when I'm sober.
But as with the first "Avengers" movie its weaknesses are overcome by great character work. It was an inspired choice, because "Spirit of Vengeance" was exactly as nutty as you'd hope a PG comic book movie would be. A lot of folks like to complain that all superhero movies are the same. But this was actually a pretty good World War II movie, too. Plot-wise, it never really adds up to anything, but the strength of the cast and the bizarre world they explore more than make up for it. Beloved nerd Guillermo del Toro took over for this one and ramped everything up to More vampires, more blood, more people getting sliced up -- and of course baddies whose jaws can split open and swallow a person's head whole.
Disney Animation Studios made a Marvel movie, and it's really sweet.
Sure, it's the kiddie version of Marvel, but that doesn't prevent it from being a wholly satisfying experience. Would be a top 5 comic book movie if it had just reigned in the plot.
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It was Robert Downey Jr. This movie is, frustratingly, far from perfect. It didn't sit well with audiences, but "Hulk" remains one of the most compelling and interesting Marvel movies to date. Whereas the previous "Punisher" movie was melodramatic and contemplative, this one is just murderous. How can anybody resist the pull of Tom Hardy doing comedy? This movie knows exactly what it's trying to be, and what it's trying to be is dumb and fun and nothing else. And it is extremely fun.
Its time travel logic is a bit iffy, but "Days of Future Past" is still tremendously entertaining because, while epic, it's not overly serious. In the angsty and angry times we live in, "Deadpool" is perfect. Aggressively violent and flippantly meanspirited, it's the exact emotional release we needed.
War After the War | The New Yorker
The main series "X-Men" movies have never achieved any sort of greatness, but at least "Dark Phoenix" ends the whole thing with one of the best efforts of the bunch. And that sequence on the train in the third act is easily the best action sequence of these movies. Dude goes all the way out in this. Not quite the best "Spider-Man" movie, but still an absolute delight, with a cast full of scene stealers.
Michael Keaton as the Vulture makes for one of the best Marvel villains ever. While you may get whiplash from the "Deadpool" sequel's occasional very serious and emo scenes, the rest of the movie is thoroughly delightful, somehow managing to be even funnier -- and more hilariously violent -- than the original.
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And it's a very good one, with a cast that's perfectly suited for it. It's ever so slightly frustrating that this one doesn't fully integrate into the "Infinity War" situation, but even so it's thoroughly a delight. Evangeline Lilly is so good at the Wasp that I'm retroactively irritated that she didn't don the suit in the previous "Ant-Man" movie. If it weren't hamstrung with all the requisite elements of an origin story, "Doctor Strange" might have been the best Marvel movie ever.
That's the power of the astonishing visual imagination on display here.
Yeah, Peter Parker's a superhero, but he's also a college kid working a minimum wage job to make rent while also taking university physics classes. Peter buckles under the pressure, something we can all relate to. Somehow, Shane Black was able to infiltrate the MCU and make a legitimate Shane Black movie with all the wit and raw humanity you'd expect from him.
It carries exactly the sort of authorial identity we should want all these movies to have. A thorough delight. This might be the most fun we had at the movies in all of , and so we can't help but love it.
The Arab Spring: Implications for US Policy and Interests
Multiply the two previous best Marvel movies by one another and you get "Civil War. Creating an effective Virtual War acumen requires a systemic reframe of leadership development and the creation of non-standard doctrine, tactics, techniques and procedures for how our national security forces and law enforcement agencies compete in Virtual Space. Virtual Space is the decisive terrain and securing it is the decisive operation.
Military operators and law enforcement agents should not proceed in to Physical Battle Space without first gaining and maintaining Virtual Battle Space superiority. All U. What Virtual War non-standard doctrine and weaponry needs to be developed and fielded? When will our operators and agents be taught, armed and trained in their use? These are incredibly important questions that should guide our thinking and strategic focus, if we desire to remain a superpower country going forward.
Reframing U. National Security. The DoD of the United States will never win another war — as structured and as led.
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This is not a pejorative statement intended for any current or past leader, who has served in the DoD. Rather, this observation addresses an a priori reasoning culture that has been created and sustained within the DoD since its founding in The DoD hierarchical learning system is incapable of keeping pace with the emergent rhizomic learning system that is organically deployed in virtual space by billions of actors each day.
The future U. Personal mastery in warfare can only be achieved by adjusting the mental models and structures that are in use today. Using the full range of the strategy palette and the methodological strategy development techniques espoused by Martin Reeves and Henry Mintzberg is essential. The leading change and the design principles authored by John Kotter and Bryan Lawson, and so many others, are also critical and should be considered as we Design the future.
The decisive arm of war and conflict now, is the U. National Industrial Base. With a few exceptions, the American people and U. Virtual War requires triple loop learning solutions.
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If we are to be successful, a completely new set of governing principles must be designed, outside the existing DoD paradigm, to live, fight and prosper in Virtual Battle Space. The national security approach that the U. The Arnold Avatar. The many actors who comprise the system of opposition to the U.
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The rivals of the U. Virtual War presents a new repertoire of instruments for a friendly or opposition agent to groom targets and networks without immediate detection or reprisal. The Arnold Avatar is one such technique. This approach consists of four scenarios.
The first scenario is to deceive your opposition over the course of a series of human to human engagements until the target is positioned for elimination, arrest or exploitation. The second pillar in the Arnold Avatar approach is for a single human, or small group of humans, to establish an online identity and influence a targeted population via social media to achieve desired behaviors in physical space.